When director Duke Johnson sat down and watched Federico Fellini's 1954 classic "La Strada," he was immediately drawn to the iconic clown costume worn by Giulietta Masina. Now in his newest film, "The ...

“Since noir was mostly black-and-white, we’re actually injecting color into a noir-esque movie, so we had to be really strong with the palette.” In juxtaposition to Edna’s blue clown ...