Rather than copy previous versions of the character, Bill Skarsgård's Count Orlok is designed to look like a corpse, making ...
Robert Eggers’s deeply enriching “Nosferatu” (2024), a darker and more devastating retelling of Dracula in fierce longing and yearning. Eggers’s ...
Out of all his eccentric films, it was Werner Herzog’s documentary on post-Gulf War Kuwait that elicited spitting from the ...
Klaus Kinski, Nosferatu The Vampyre (1979) Because of the nature of the original "Nosferatu," there's an added fascination to the 1979 remake "Nosferatu the Vampyre." It's not just the fact that ...
Director Werner Herzog's control of mood is faultless, and in Klaus Kinski he has the perfect doppelganger for Max Schreck, the original Nosferatu. It plays like a grim, slow-moving, operatic ...
"It is fear and fun. It is a scream of horror and a cry of delight. It is Nosferatu, the Vampyre." "It is fear and fun. It is a scream of horror and a cry of delight. It is Nosferatu, the Vampyre." ...
Hutter eventually sees the Count's sleeping chamber in a crypt, and based on a book he has recently read, believes the Count is really a vampire or Nosferatu. While Hutter is trapped in the castle ...
Originally Robert Eggers second feature length film following his directorial debut with The Witch, a remake of the 1922 movie Nosferatu: A Symphony of Horror has been in the works since 2015.
The period Dracula movie easily became Eggers’ highest-grossing out with $95.4 million stateside and $175.9M global. For Focus, Nosferatu ranks behind 2019’s Downton Abbey ($96.8M) as its ...
“It is about the mood and style of vampirism, about the terrible seductive pity of it all.” - Roger Ebert Werner Herzog’s only horror film is as rich with artistry and tragedy as his most ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results