Roberto Bilotti has removed the piece from Galleria Nazionale d’Arte Moderna e Contemporanea in Rome, claiming it was being exhibited in “a dark corner” and was “not valued at all”.
This essay focuses on relevant documentary evidence related to painting technique in Umberto Boccioni's writings, showing his update to coeval treatises on technique in the context of the market of ...
La Pinacoteca Divisionismo Tortona ha recentemente annunciato una nuova acquisizione che arricchisce ulteriormente la sua collezione: con Maestra di scena. Ritratto della signora Adalgisa Maffi (1910) ...
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