“A hundred years of The New Yorker is a vindication of what I believe in,” she said. “Now there’s TikTok, and all the minutes ...
The New Yorker, now celebrating its centenary, has defied media trends by giving an unusual amount of control to the artists ...
Through interviews with the artist and those closest to him, Molly Bernstein and Philip Dolin chronicle Spiegelman’s career ...
The magazine has gained a cult following, partly by branding itself as a beacon of intellectualism. Here’s how it has changed ...
The Forward on MSN9d
How MAD magazine, family ghosts and censorship made Art Spiegelman an anti-fascist artistIn 2004, Spiegelman drew a strip — also included in Breakdowns — where he gifts his son, Dash, a locked chest, something he ...
Art Spiegelman struggles with his parents Holocaust survival while drawing Wacky Packages, Garbage Pail Kids, and the ...
Over the years the magazine has launched or nurtured the careers of a pantheon of Jewish writers: Cynthia Ozick, Philip Roth, ...
Art Spiegelman’s life was always doomed to ... captured a premature-for-many skepticism of the U.S. response. His New Yorker covers, which tackled police brutality and depicted a West Indian ...
Disaster Is My Muse” is a remarkably cogent and compelling presentation not just of Spiegelman’s life story but also his ...
Françoise Mouly, the art editor for roughly a third of the magazine’s existence, acknowledges that New Yorker covers are an anomaly. They’re the subject of the exhibition “Covering the New ...
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