Erica Baker – it’s a name that many in the Dayton region will never forget. On the afternoon of Feb. 7, 1999, nine-year-old Erica Baker was walking her dog ...
Comic creators including Patrick Gleason (“Amazing Spider-Man,”“Batman and Robin”), Larry F. Houston (“X-Men: The Animated Series,”“X-Men 97”), Michael Golden (“Avengers,”“The Micronauts”), Pasqual ...
Let’s dive into the details of the arrest, the mugshot that took fans by surprise, and what this means for Tom Welling, who ...
She was a regular as the night nurse in this year's Netflix supernatural fantasy series "Dead Boy Detectives" among 30 credits. Qualls was seen in five different seasons of "Supernatural" as the ...
“Jaime Duzz, are you dead?” It seems like a silly question, but the fact is, it is a really serious question for her — with complex answers still unanswered on how she is considered in some ...
Max is a corporate executive earning $205,000 a year. Erica has her own management consulting company that nets about $150,000 a year after expenses. He is 54 and she is 42. They have two young ...
Figures show how many NCEA students achieved level 1 qualification last year and the Ministry of Justice has been encouraged to check its systems following a privacy breach. Education Minister ...
David Lynch, the visionary filmmaker known for “Twin Peaks” and “The Elephant Man,” was an artist in more than one sense of the word. He was an experimental rocker and sound designer whose ...
David Lynch, who co-created “Twin Peaks” and directed films such as “Blue Velvet” and “Mulholland Drive,” has died. He was 78. Lynch’s family revealed his passing via social media on ...
David Lynch, the American filmmaker, writer and artist who scored best director Oscar nominations for Blue Velvet, The Elephant Man and Mulholland Drive and co-created the groundbreaking TV ...
David Lynch, the stylish director behind mega-hits like Twin Peaks, Blue Velvet and Eraserhead, has died. He was 78. Variety reported the news today, citing a Facebook post from Lynch’s family ...
Lynch later told Chris Rodley that at the conclusion of the ordeal, “I was almost dead. Almost dead!” However, Lynch’s second film for De Laurentiis defined the contours of his mature style.
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